He recently moved to New York to start ConsultAbility with his wife Jenna. He has worked in multiple theatres in Colorado and Oregon, including the Oregon Shakespeare Festival and the Denver Center for the Performing Arts. PAUL BEHRHORST, he/him FIRST SEASON (Assistant Stage Manager) is an AEA stage manager, a theatre safety professional, and an accessibility consultant. Drayton has received an Olwen Wymark Award for the Writers’ Guild of Great Britain and holds an MFA from NYU Tisch Asia. As artistic producer of Serials The Flea, he led the Serials Writers Room for two years, and he has developed plays by Amy Ng, Tuyen Do, and Joyce Julie Lee for New Earth Theatre. Some dramaturgy highlights include world/NYC premieres of Taylor Mac’s The Fre, Kristiana Rae Colón’s good friday, Nsangou Njikam’s Syncing Ink, Idris Goodwin’s Hype Man: a break beat play, Geraldine Elizabeth Inoa’s Scraps, The Q Brothers’ Liz Estrada, and Catya McMullen’s Locked Up Bs. Credits include Three Sisters, Twelfth Night (Two River Theater) Naked Mole Rat Gets Dressed, Max Makes a Million, Winnie the Pooh (Alliance Theater) Wait Until Dark, Queen of the Night, Slow Food (Dorset Theater Festival) Straight White Men, Mlima’s Tale, In the Heights, Man of La Mancha, Romeo and Juliet (Westport Country Playhouse) Mother Road (PCPA) Afterglow, Safeword (Midnight Theatricals) Recent Alien Abductions (Play Co.) ¡Bienvenidos Blancos! or Welcome White People! (Team Sunshine, Philadelphia), A View from the Bridge, Seven Spots on the Sun, set and costume for The War Boys (NYC) Sotto Voce (Portland Stage) Midsummer, The Moors (Yale Repertory Theater world premier).ĭRAYTON ALEXANDER, he/they FIRST SEASON (Dramaturg) is thrilled to be joining Asolo Rep this year as literary associate, following a decade working in play development in New York, London, and Singapore. Please note: This performance contains mature content and theatrical smoke.įABIAN FIDEL AGUILAR, he/him FIRST SEASON (Costume Design) attended the Yale School of Drama for his MFA and Boston University (BFA) to pursue theatrical costume design. Run time: This performance is 1 hr and 47 mins with no intermission. The winner of five Tony Awards®, including Best Musical, and featuring a soaring score, including “Man of La Mancha (I, Don Quixote)” and one of theatre’s most beloved songs, “The Impossible Dream,” this classic musical celebrates the power of theatre, the bravery of holding strong to our dreams, and the resilience of imagination. This epic and poignant journey celebrates the perseverance of one man who refuses to relinquish his ideals and who is determined to see life not as it is, but as it ought to be. “Rothstein bring the themes of human dignity and desperate imagination into sharp relief” - City PagesĬonsidered by many to be one of the best musicals of all time, MAN OF LA MANCHA is brilliantly reimagined by celebrated director Peter Rothstein, who immerses us in Miguel de Cervantes’s retelling of Don Quixote and his quest. “Man of La Mancha is a triumph of creative imagination” - New York Post Original Production Directed by Albert Marre Meanwhile, Sam is all about the YouTube comments their filming might get and Jess, who sees and hears spirits all around her, is earnestly seeking to lay to rest any troubled souls, while Remy is coming to terms with the recent loss of her mother.Music by Mitch Leigh and Lyrics by Joe Darion So she’s hopeful that Sam and Jess can solve her problems. But mysterious noises, flickering lights, pictures falling off the walls and other phenomena are driving her near the breaking point. Priscilla recently acquired an old house in the middle of nowhere, hoping to turn it into a lucrative B&B. Priscilla (Lorinda Hawkins Smith) has called upon the team of the show title, skeptic Sam (Mercedes White) and “bruja” (or “witch” in simplified terms) Jess (Alisha Espinosa), joined by Jess’s cousin and tech support Remy (Jen Diaz). That’s the starting point for A Skeptic and a Bruja, now onstage at Urbanite Theatre. Do you like a good ghost story? Most people seem to, certainly enough to keep “ghost-hunting” or paranormal TV shows going.
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